Movies – Films

Superb  ****     Very Good  ***      Good **     Mediocre  *     Forget It   -

WHY NOT ?

I Love You Phillip Morris *1/2     Jim Carrey and Ewan McGregor play two men who fall in love in prison, when Carrey’s character is incarcerated for all sorts of embezzlements to keep up his high lifestyle. Based on a true story, the film loses us when it can’t decide if it’s a love story, a comic/thriller or an argument for a gay lifestyle. It’s neither fish nor fowl…

A Serious Man *1/2      The Coen brothers have perfected quirky, intelligent comedy with a twist of irreverence and violence in such films as Fargo, The Big Lebowski or O Brother, Where Art Thou? Here they seem to have gone back to the grim days of Barton Fink. This film should actually have been called A Stupid Man. For that is what their hero is, a simpleton who is not only bamboozled by his wife and children, but also by his colleagues, students, his synagogue and its rabbis. This looks like a bitter satire of the Cohn brothers’ own mid-American/Jewish background. It’s certainly frustrating and claustrophobic in its negativity.

AT YOUR OWN RISK

Verso *1/2   (vo French)     Seeing this Swiss film noir will have you believing that Geneva is a den of drug addicts, prostitutes and rampant crime. Dark, harsh and relentless, what is its raison d’être?

Whip It – Bliss *     Cute Drew Barrymore should stick to acting rather than directing. This roller derby flick is not worthy of your time or money.

Did you Hear about the Morgans? -     Hugh Grant announced a while ago that he wanted to give up acting; could be after he saw the end result of this film. It’s painful watching him as a caricature of himself – fawning, too obliging, with a constant frown and shoulders so scrunched, as though he’s trying to disappear into himself. Probably one of the worst films of any year. Make sure you don’t get sucked in by the ads and the fact that he and Sarah Jessica Parker (who has never looked so meager and charmless) make up the silly couple transplanted from Manhattan to Wyoming. It really all boils down to an embarrassing, formulaic script and hopeless direction. Just run the other way.

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Movies – Films

Superb  ****     Very Good  ***      Good **     Mediocre  *     Forget It  -

WORTH YOUR WHILE

Mr. Nobody ***     This poetic, complex film by the Belgian Jaco Van Dormael is about the infinite possibilities of choices and consequences. It’s about a little boy having to decide between his divorcing parents and then having to choose between future partners. It’s about the certainty of love and the illusion of existence, about growing terribly old and about a surrealistic future where everything is planned for you. It is so full of imagination, sadness and humor that you are entranced while watching it, but might not recall its many wonders because of their very multitude… It’s simply a singular, almost hallucinatory experience.

Le Refuge ***  (vo French)     If you know François Ozon’s work, you wait for his next film like you wait for the latest Woody Allen. From his earliest success, Gouttes d’eau sur Pierres Brûlantes with Bernard Giraudeau to Sous le Sable (with Charlotte Rampling) or the joyous and quirky 8 Femmes (with most of France’s grandes dames) or the melancholy 5×2 and the naïve and surrealistic Ricky, they are all unique yet similar in their aesthetic quality, their intelligent scenarios and a certain thread of elegance. This latest does not disappoint. It’s an interlaced story of an addicted couple, an overdose death, a pregnant survivor and the gay brother who comes to stay with her in her idyllic refuge. But it’s also about possibilities that do not seem obvious. Ozon is a great actor’s director, studying their faces with fascination. Be on the lookout for his work.

Gainsbourg (vie Héroique) ***   (vo French)     The French have a knack for successful biopics, like La Môme, the two Chanel films and now this one about France’s bad boy, pre-grunge songwriter and musician, who had women falling all over him despite his less-than-attractive physique. Starting with his childhood, the film follows the precocious Lucien (he later changed his name to Serge) through his confrontation with anti-semeticism under German occupation, his early connection to women and his struggle to remain true to his artistic strain. All along, he is followed by a cartoonish alter-ego, who warns, guides and taunts him throughout his life. Eric Elmosnino is an amazing Gainsbourg look-alike, while Laetitia Casta becomes Brigitte Bardot, one of his many conquests, along with such lovelies as Juliette Gréco and his great love, Jane Birkin. A fascinating window into a controversial, bohemian character.

Coco Chanel and Igor Stravinsky ***  (vo French)     This is the third recent work about the life of Gabrielle Chanel, after a decent telefilm, with Shirley MacLaine as the older Chanel, then Coco avant Chanel by Anne Fontaine with Audrey Tautou and now this one about her little-known relationship with the avant-garde Russian composer. All are well done, showing different facets of her intense, productive life. This one by Jan Kounen, and starring Anna Mouglalis and Mads Mikkelsen, zeroes in on her time as a successful designer, wealthy enough to be able to invite the proud Stravinsky and his family to stay at her grand home outside Paris when he was struggling to make ends meet in the early 20s among fashionable Russian artists and émigrés such as Diaghilev, Nijinsky and others of the Art Deco era. It’s a peek into a moment of high artistic energy and the meeting (both sensual and creative) of two giants in their respective fields. It shows Chanel as an independent soul and a forerunner of women’s liberation, in her clothing designs as well as her daring choices and lifestyle.

Tales from the Golden Age **1/2     Strange how one can get such warm-hearted humor from repressed societies, but then that must be their release-valve. Here are small vignettes of life in Romania under the dictator Ceaucescu, illustrating the survival tactics of ordinary citizens versus the tragicomic hypocrisy of the regime. Touching, human and intelligent, but it goes on a bit too long.

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Movies – Films

Superb  ****     Very Good  ***      Good **     Mediocre  *     Forget It   -

UNMISSABLES

Up In The Air ****     Suave, gliding through airports as though they were his home with his myriad privileged credit cards, George Clooney’s character flies around the country firing people for firms which don’t want to deal with the mess. He’s great at his job  and loves his unattached lifestyle.  Seamlessly directed by Jason Reitman (Thank You for Smoking and Juno), this deceptively subtle film is a metaphor for today’s modern, empty world – from a charged beginning to an uncertain end. Clooney is excellent, once again proving he’s not just a gorgeous guy. This is Oscar material all the way…

Brothers ****     Brodre, the gripping 2004 Danish film by Suzanne Bier has been transformed here into an American work and quite fittingly, as it concerns family tensions and the war in Afghanistan. With a strong cast including Natalie Portman, Jake Gyllenhaal, Tobey Maguire and Sam Shepard, directed by the Irish/American Jim Sheridan (of Oscar winners such as My Left Foot and In the Name of the Father), this has proven one fine import. The “good” brother goes off to war, while the bad-boy brother stays home and becomes close to the former’s wife and children. It’s austerely modern; it’s Greek tragedy and also Shakespearean. Won’t tell you more, just go see it. And rent the Danish film too.

A Single Man ***1/2     We’re terribly lucky this season – deluged with one fine film after the other. Here’s another one, amazingly polished by first-time director, Tom Ford, who is the highly successful men’s fashion designer. Being gay and stunning-looking himself, he has made a film about a teacher mourning the loss of his lover, set in the early 60s when homosexuality was still under wraps. The mood and look of the era are impeccably captured and Colin Firth, who has perfected the art of being contained and reserved, has never been so moving. And he’s never been so trim and well attired either, all due to Ford, of course. This is quite an aesthetic work of art by a newcomer to the field. But then the painter Julian Schnabel also traversed careers brilliantly, directing Basquiat, Before Night Falls and The Diving Bell and the Butterfly. Once an artist, always an artist.

Invictus ***1/2     “I am the master of my fate; I am the captain of my soul”. This quotation exemplifies the grandeur of Nelson Mandela’s life and his legacy for Africa (and in a smaller sense, the trajectory of director Clint Eastwood’s career). The film dwells mainly on Mandela’s efforts to unite his country behind its rugby team during the World Cup in 1994 and his strength and wisdom in going against the current. Morgan Freeman becomes Mandela and Eastwood does them both honor. From White Hunter, Black Heart and Bird to Bridges of Madison County and Letters from Iwo Jima, and now this tribute, Eastwood keeps proving his mastery of many genres, his understanding of diverse worlds and the control of his audience.

2 Brothers ***1/2  (vo Hebrew and English)  I’ve written this up before, but now it is finally being released in our area after garnering quite a few prizes in various festivals. It’s about two opposing brothers, this time in Israel. One is a peace activist living there and the other is a fanatic Orthodox Jew, who has moved back from New York. Their differences and struggles highlight the grave threat posed by the Orthodox community to peace in that region. Powerful and important, it is directed by Geneva-based Igaal Nidam.

It’s Complicated ***     Ah, to have a bit of fun in this sad and serious world! So here’s a film not to miss. First because it’s a love story about mature adults, second because it’s got such super actors as Meryl Streep and Alec Baldwin and third, because a good romantic comedy is a rare thing. But director Nancy Meyers is an expert at the entertaining ones – such as What Women Want and Something’s Gotta’ Give. It’s a delight for the eyes and for many a belly laugh and it all makes giddy sense until the ending, which I personally did not like. But that’s only me – you and others may well think it should end in such a modern, egalitarian way….

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**** Superb       *** Very Good       **  Good         *  Mediocre

UNMISSABLES

Océans ****   (vo French)  This spectacular documentary by Jacques Perrin (Le Peuple Migrateur) is absolute poetry in motion, and a visual gift depicting the beauties and peculiarities of the myriad marine species in our precious waters. It’s a must-see on the giant screen for the full effect of its glorious images and music. Simply breathtaking!

Sin Nombre ****  (vo Spanish)   Along with an incongruous love that develops atop a transport train, this violent and harrowing yet moving film shows the desperate ordeal of emigrants from Central America trying to reach the borders of the U.S. A powerful first film by Cary Joji Fukunaga, it has won awards at both the Sundance and Deauville festivals.

The Little Fugitive ****   This entrancing B&W, multi-awarded film from 1953 will be showing at the CAC Voltaire and should NOT be missed! It’s Brooklyn in the summer and boys will be naughty. When a widowed mother leaves to visit an ailing grandmother, her two sons are left alone for two days. And because little Joey is a pest for his older brother, they play a prank on him, turning Joey into a scared fugitive. A boy’s day out, the innocence yet gumption of a smart kid, and a holiday atmosphere on Coney Island – it’s all here in this independent American forerunner of the French Nouvelle Vague. Cunningly photographed and timeless in its simplicity and universality.

The Road ****   Not for the faint-hearted, here’s yet another end-of-the-world story, but one which is done with a sobriety and depth of feeling that will shake you to the core. The grayness of the desolate earth is given life through the overpowering acting of Viggo Mortensen and Kodi Smit-McPhee as a father and son trying to survive in the barren wasteland that is left of the world. This tour-de-force which deals with the struggle between brutal survival and remaining “one of the good ones” is based on the celebrated novel by Cormac McCarthy (of No Country for Old Men) and directed by Australian/Canadian John Hillcoat.

Where the Wild Things Are  (Max et les Maximonstres) ***1/2   Based on the beloved children’s book, this Spike Jonze film is about a boy who feels no one really listens to him, so he creates his own strange kingdom with quirky and delightful creatures where he can rule and be heard. Superbly played by little Max Records and Catherine Keener as his mother, this charming tale is for those with heart, from 5 to 95.

Le Concert ***1/2 (vo Russian/French)   A renowned but politically-damaged Russian conductor gets a chance after 30 years to reunite his orchestra and give an impromptu concert in Paris. Can he manage against all odds, and get to perform with the young violin virtuoso with whom he has a connection from long ago? This delightfully constructed adventure by the Romanian Radu Mihaileanu has some silly and unnecessary moments, but as an old-fashioned crowd-pleaser it is saved by its heartwarming story and characters, and especially the lovely Melanie Laurent (last in Inglourious Basterds) as the violin soloist. The rousing concert finale will have you wanting an encore!

It’s Complicated (Pas si simple) **1/2   Here’s a film not to miss – first because it’s a love story about mature adults, second because it’s got such super actors as Meryl Streep and Alec Baldwin and third, because a good romantic comedy is a rare thing. But director Nancy Meyers is an expert at the entertaining ones – such as What Women Want and Something’s Gotta’ Give. It’s a delight for the eyes and for many a belly laugh and it all makes giddy sense until the ending, which I personally did not like. But that’s only me – you and others may think it should end in such an American, equalitarian way…

WORTH YOUR WHILE

Bright Star ***   This beautifully-filmed period piece by Australia’s Jane Campion (The Piano) is about the difficult love story between the poet John Keats and his muse, Fanny Brawne. It truly conveys its era and the delicacy and discretion of feelings back then, when emotions hung on rapturous words and silences..

Loup **1/2 (vo Russian)   Nicolas Vanier (Le Dernier trappeur) takes us once again into the wild, this time to oriental Siberia. This saga of a young man, who has to take care of his troop of reindeer and also protect the family of wolves with whom he has become entranced, is an amazing feat of animal and nature photography.

Kérity, la maison des contes **1/2  (vo French)   Here’s a beautifully animated tale of a little boy who can’t read but is bequeathed a precious collection of books by his late auntie, narrated by Jeanne Moreau. Watch the classics come alive.

Mères et Filles **1/2  (vo French)   The tension between three generations of mothers and daughters is magnified by some dark family secrets. This melodrama is enhanced by the fine acting of Catherine Deneuve, Marina Hinds and Marie-Josée Croze.

WHY NOT ?

Le Siffleur **  (vo French)   What makes this film is its setting – the marvelous Côte d’Azur, and the light touch with which it presents its crooked cast of characters, played by the likes of Thierry Lhermitte, Alain Chabat and the indefatigable François Berléand, doubling as his own twin. They all seem to be having such fun down there, in that radiant climate and all the luxury….

Baba’s Song *1/2  (vo English and German)   This uneven mishmash about musicians in Africa, destitute orphans and a shady adoption deal even grapples with Aids. Wolfgang Panzer of the brilliant Broken Silence just can’t seem to recapture the magic of his earlier film. Some of the acting and dialogue is painfully amateur, but the saving grace is Baba and his wily little side-kick.

AT YOUR OWN RISK

Le père de mes enfants *1/2  (vo French)   This is a story that ends tragically about a film producer burdened by bankruptcy and depression. None of the drama will make a dent in your emotions, methinks. (One wonders if those intellos would feel better if they washed their hair…)

Le Dernier vol *1/2 (vo French)   Don’t bother with this endless search through the dunes of the Sahara. Even though it tries to emulate The English Patient, it doesn’t come close to the latter’s quality or intensity. And neither Marion Cotillard nor Guillaume Canet can save the dull scenario.

Limits of Control *1/2   What’s happened to the brilliant Jim Jarmusch (Night on Earth, Ghost Dog) here? A hit-man goes from locale to locale and meets some strange characters. To what end? And who cares finally?  It should be called The Limits of Patience.

Bazar * (vo French)   This tale of an autumn/spring romance between an older woman and her new young beau, filmed here in Geneva, would have been more interesting if it hadn’t succumbed to clichés and superficial solutions. A pity.

Paranormal Activity *   You and I could also make such a home movie, with slamming doors and moving sheets, about a possible entity in a young couple’s home. It’s not scary, just a creepy wool-over-your-eyes stunt. Don’t fall for the hype from the U.S.

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Why Not?

These may not be first choice, but why not see them anyway?

The Imaginarium of Dr. Parnassus   **

Terry Gilliam is a bit of an untethered genius. Even in brilliant films such as Monty Python and the Holy Grail, Brazil, Twelve Monkeys, Fear and Loathing in Las Vegas or The Brothers Grimm. He’s basically a huge talent who tends towards overload. Here, having had the privilege of directing Heath Ledger (whom he worked with in Grimm) in his last film, he had the dilemma of having to substitute his character when Ledger passed away so prematurely and tragically. So he replaced this immense talent with no fewer than three actors: Johnny Depp, Jude Law and Colin Farrell. The film is a magical mishmash with Faustian undertones though it ends up quite frustrating, without any real form. But it’s still a must-see thanks to all these top talents and what Gilliam managed in the aftermath of tragedy.

Panique au Village **  (vo French)
In the same animated style as Wallace and Gromit, this Belgian tale of Cowboy and Indian is a hectic, wild ride that’s naïve, inventive and funny.

Neptune Ingwersen, Film Critic

Foreign Films Not To Miss

A wonderful mental exercise to keep your mind alive and active is to watch foreign films in their original language.

Micmacs à Tire-Larigot   ****   (vo French)
Ah, to be transported into a sepia world of magical realism, nostalgia and loveable characters – each one unique and wondrous.  Isn’t that what good movies are all about? Jean-Pierre Jeunet is back to enchant again after his huge hit, Amélie Poulain. This time it’s about Bazil, a whimsical fellow who ends up with a bullet in his head, which could kill him at any moment. Jeunet’s art is so rich that he can convey thirty years in the first five minutes of the film, juggling and editing until you know all about his characters, yet long to know more. Dany Boon is marvelous as the hero – pure, street-wise and delightfully funny – who wreaks sweet revenge on a couple of arms industrialists. All the while, he’s aided by some quirky homeless types who take him in as part of their “family”. There are touches of vintage Hollywood, Buster Keaton, Bourvil, Tarantino and the Coen Brothers (especially from The Hudsucker Proxy). It’s really all about the little man against the big bosses of this world – arrogant, exploitive and greedy. And guess who you’ll be rooting for?

Le Ruban Blanc   ***1/2   (vo German)
As much as you walk out of Micmacs with a big smile, this one will leave you with a long face and much to ponder. But then the theme is as grim as you will be – the austere, harsh upbringing that spawned the cold ambivalence of character that may have contributed to forming a nation of Hitler followers. It’s pre-WWI in a small hamlet in northern Germany. Among the families of the clergyman, the Baron, the doctor and the farmers, strange things are happening. Who is responsible for these random, cruel acts? Could it possibly be the children, so burdened under relentless punishment? The mood and the stark black and white cinematography hark back to the works of Ingmar Bergman. By Austrian director Michael Haneke, the film won the Palme d’Or at Cannes this year. One of his least physically violent, it is nevertheless violent emotionally, which can be even more traumatic. But then so were the times. Simply brilliant.

Eyes Wide Open (Tu n’aimeras point)   ***1/2   (vo Hebrew)
This moving film from Israel concerns an Orthodox butcher who is happily married with small children, but falls hopelessly in love with a young man who comes to help him in his shop. The atmosphere, the seriousness of both his religious beliefs and his deep new love make for a powerful tale of torn commitments and sensibilities. By 34-year-old Haim Tabakman, this first feature film has astounding discretion and wisdom .

Neptune Ingwersen, Movie Critic

Film Critic, Neptune Ingwersen

Films not to miss!

New York, I Love You   ****
First came Paris, je t’aime and after this should come Shanghai, I Love You. It’s a great idea to take top directors and actors and give them free rein to create an homage to a city they love. Here you have such established filmmakers as Mira Nair of India, Yvan Attal of France and Fatih Akin from Germany/Turkey giving their versions of the mood and atmosphere of the Big Apple and its varied faces. There are meetings in bars, grocery stores, strange happenings in a hotel room and a precious old couple going to neighboring Brighton Beach for their anniversary. There are a host of superb actors including John Hurt, Ethan Hawke, Robin Wright Penn, Natalie Portman and an astounding Shia LeBeouf who holds his own against an icon such as Julie Christie. And their stories are all woven seamlessly into a hypnotic tribute to a great city, with haunting music, to boot. Do not miss the experience.

This Is It   ***1/2
So many people revered Michael Jackson, while others had questions about him, his strange life and the multitude of charges against him and/or his innocence. We will never know all the truth – there never is only one truth, anyway. But this film will put to rest some of the questions about his artistic intentions and his musical genius. Put together by Kenny Ortega, this compilation of his last months’ rehearsals for his mega-show in London is a final homage to a man of extraordinary talent. In it, he appears vibrant, in complete control, with an exceptional presence and professionalism. Throughout the musical sequences and elaborate preparations there is a sweetness about him, a true caring. It’s a fine tribute to the King of Pop and it may leave you with a lump in your throat for the too sudden, unnecessary loss of such a personality.

2012   ***

It’s strange – This Is It ends on the necessity to save our planet, and this huge blockbuster from German-import Roland(Independence Day, The Day After Tomorrow) is about how we are actually going to lose our earth as we know it – in 2012! What Emmerich manages in his films is to not only to make them actual and nail-bitingly exciting, but he also zeroes in on the human element, both in the family unit and with dashes of humor that release some of the tremendous tension he loves to create. And there are some amazing chases and flights that will have you careening in your seat along with John Cusack and his family. This is quality blockbuster material, so take the whole tribe. Ok, so it has a schmaltzy, big-time Hollywood ending, but hey, that’s the fun of these popcorn movies!