At The Movies II – September 2010
WORTH YOUR WHILE
When you’re Strange ***1/2 Narrated by Johnny Depp, this illuminating documentary by Tom DiCillo (the cool director of such films as Johnny Suede and Living in Oblivion) once again opens up the world of the Doors and their charismatic lead singer Jim Morrison, who played so hard with life, music, women and drugs that he was dead by age 27. It’s as though he wanted to reach for immortality through fame cut-short, like Dean, Hendrix and Joplin. Moving and exhilarating.
Copacabana *** (vo French) Isabelle Huppert often plays cold, twisted characters, but here she is terribly human and simply fun-loving. A caring but basically irresponsible mother who realizes that she has to change to gain back her daughter’s respect, she decides to take a job up in Belgium, selling apartments in a god-forsaken coastal town. Amusing and touching, Huppert is at her most vulnerable in years in this tongue-in-cheek film by Marc Fitoussi.
Frontier Blues *** (vo Farsi) This languid, strangely poetic film from Iran features various characters living in the northern Turkman region of that country. With very little dialogue, we encounter an uncle who runs a deserted boutique and his weird nephew who loves a donkey. There’s a photographer from Tehran who has come to capture the mood of area through a local musician and his entourage of four kids. And there’s also a young man who works on a poultry farm and is learning English so he can leave to the city, maybe with the pretty girl he desires but has not yet spoken to nor convinced to marry him. Slow, contemplative and quite hypnotic, Babak Jalali’s film pulls you into this lonely, Jim Jarmusch-like universe with gentle humor. But you must have patience to savor it fully.
Knight and Day **1/2 If you like action, thrills and charm, you can’t miss with this wild and funny ride starring Tom Cruise as a super spy on the run and Cameron Diaz as his unwilling but talented sidekick, directed by James Mangold of Walk the Line. Don’t listen to the sour critics who may still be negative about Cruise – the man has talent, presence and charisma. And these two make an exciting pair.
Inception **1/2 “Pure creation” is what Ellen Page’s character calls these illusions of dreams and reality mixed in various layers. Leonardo DiCaprio, playing an expert at invading others’ dreams – whether planting an idea or stealing one – is on a mission to instill a germ of an idea in a magnate’s mind. But he and his crew may have misjudged the many dream levels and the dangers of descending too deeply into this strange limbo of possibilities… Are you following this? Director Christopher Nolan makes smart, intricate films (such as Memento, in which the story goes backwards, or the powerful Dark Knight) but this one is too convoluted for its own good. It gets lost in mind-bending special effects which serve no purpose but to inflate the director’s ego and often lose the audience in the process. Do we really need the lengthy James Bond-like snow chases and all those blown-up grocery stores or foldable buildings in Paris? Give me clever mind games rather than exaggerated pyrotechnics any day.
Neptune Ingwersen 
