Movies Worth Seeing
AU CINEMA February 2011
Very Good *** Good**
You will note several foreign films among these. Watching them in their original language will stimulate your brain neurons, good for your age esteem.
Another Year ***1/2 Mike Leigh of England makes films about ordinary people and here he depicts a very happy, loving couple surrounded by an array of miserable mortals who just can’t get it right. It could have been dreary, but it is a perfect example of great drama based on simple observation. And how, sadly for the losers, one’s character ultimately defines one’s life.
Angèle et Tony *** (vo French) By artist and first-time director Alix Delaporte, this is somewhat the French version of the above, with a bit more hope and sensuality thrown in – naturellement! It’s a sort of modern Taming of the Shrew: an incongruous couple meet and slowly discover each other, due to Tony’s basic goodness and patience, and despite Angèle’s rough, desperate character. It’s fresh and moving in its treatment of simple people, making them shiny and special.
Last Night *** A yuppie couple have a tiff after a party when the wife detects a definite attraction between her husband and his sexy colleague. He denies all, she forgives, but the seeds of doubt have been sown. This is a smart, elegant take on modern relationships and fidelity, moments of temptation and the Venus and Mars differences between women and men. It’s an excellent beginning for Iranian/American director and screenwriter Massy Tadjedin, who has managed to rope into her film such stars as Keira Knightley, Eva Mendes and Guillaume Canet.
Honeymoons *** (vo Serb) The terrible difficulty and injustice of emigration and being a refugee is treated here within two hopeful love stories, one of an Albanian couple and the other Serbian. They go from their dysfunctional families and weddings to the hell of trying to enter fortress Europe, even with the correct documents. It’s gripping, revealing and brilliantly directed by Goran Paskaljevic.
Africa United *** This colorful road movie, about a handful of African kids crazy about football, covers a lot of ground – not only the seven countries it traverses, from Rwanda down to South Africa, but such topics as class, prostitution, child-soldiers, AIDS and of course friendship and solidarity. The destination of the World Cup down in South Africa is the vehicle for this exuberant journey of fun and mishaps, which mixes in some charming cartoon footage that’s the fairy tale which carries the children through this improbable voyage. Sweet, naive and hopeful, it’s the work of British director, Debs Gardner-Paterson, who knows Africa well.
La Petite chambre *** (vo French) A stubbornly grouchy old man (the grand Michel Bouquet) resents his aloof son and wants to be left alone. A caretaker for the elderly, who has her own heartbreak, manages to bring him out of his shell. Touching and well directed by Stéphanie Chuat and Véronique Reymond, both from Lausanne, it was the Swiss entry to the Oscars.
In the Beginning there was Light (Am Anfang war das Licht) **1/2 (vo German) Apparently there are certain people who can subsist on air and light, without eating or drinking for long periods of time. Are they liars and charlatans or deeper spirits than the rest of us? And why would they not want to eat? The Austrian P.A. Straubinger sets out to find out who, how and why in this engrossing and well-researched documentary. He leads us through the scientific facts, but there is also the Eastern idea of higher consciousness that cannot always be explained. He goes to all corners of the world, from Australia to the US, India, China and Europe, and takes us from scepticism to considering spirituality and the importance of mind-over-matter. This is well-balanced, eye-opening reportage.
Toi, moi et les autres **1/2 (vo French) A bit of Romeo and Juliette and a modernized offshoot of Les parapluies de Cherbourg, here’s a socially-conscious musical by Audrey Estrougo that’s young, touching and aesthetically filmed, set between a wealthy family and an immigrant section of Paris. It has some lovely songs and a delicate Leila Bekhti as the heroine, but is too lethargic in its pacing.
Rien à declarer **1/2 (vo French) After the colossal success of Bienvenu chez les Ch’tis, France’s Dany Boon has been looking for his next big comedy. This one, about two opposing border guards (Boon and Benoît Poelvoorde) on the French and Belgium sides, is an amusing take on their differences and prejudices at the time when European borders were being eradicated. A good premise and quirky characters make for many laughs – the café-owners and the bumbling drug-transporter are hilarious.
The Black Swan ** Here’s a bit of the classic Red Shoes, lots of melodrama, some quite fearful scenes set in a New York ballet company and a sublime Natalie Portman as the tortured, paranoid, perfectionist ballerina. Darren Aronofsky’s surrealistic film is somewhat over-the-top, but Portman is fragile and convincing, meriting her Golden Globe.
Neptune Ravar Ingwersen, film critic
